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The '''Soundfield microphone''' is an audio [[microphone]] composed of four closely spaced [[Microphone#Microphone polar patterns|subcardioid]] or [[Microphone#Microphone polar patterns|cardioid]] (unidirectional) microphone capsules arranged in a [[tetrahedron]]. It was invented by [[Michael Gerzon]] and Peter Craven, and is a part of, but not exclusive to, [[Ambisonics]], a [[surround sound]] technology. It can function as a mono, stereo or surround sound microphone, optionally including height information.
 
== History ==
The soundfield mic was invented by [[Michael Gerzon]] and Peter Craven. Their theoretical design was developed into a practical microphone system by Calrec Audio Limited, who launched the first soundfield mic in 1978.<ref>{{cite web
|url        = http://www.calrec.com/uk/Company/Pages/History.aspx
|title      = The changing face of broadcast
|publisher  = Calrec Audio Limited
|location    = Hebden Bridge, West Yorkshire
|accessdate  = 9 January 2012
|quote      = 1978: Calrec launches the Soundfield microphone, the world’s first single point-source microphone capable of recording sound in three-dimensions for surround-compatible playback.
}}</ref>
 
In 1993, the soundfield mic part of Calrec was separated out as the company SoundField Limited, who further developed the range of products.<ref>{{cite web
|url        = http://www.soundfield.com/company/company.php
|title      = The Company - background and history
|publisher  = SoundField Limited
|location    = Wakefield, West Yorkshire
|accessdate  = 9 January 2012
|quote      = In 1993, the company SoundField Ltd. was formed specifically to manufacture and further develop the range of products and their application in both stereo and multi-channel audio environments.
}}</ref> Since the original patents relating to the soundfield mic expired, other companies have started to manufacture soundfield mics.
 
== Signals ==
 
A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called ''A-Format'' and ''B-Format''.
 
=== A-Format ===
[[File:Tetrahedron.png|thumb|The A-Format is the signals from four microphones on the faces of a [[tetrahedron]].]]
The first set, the A-Format, is produced by the Soundfield microphone itself and consists of the four signals from the microphone capsules. These four signals are not intended to be used without further processing. The A-Format is normally transformed into the second set of audio signals, the B-Format.  This process is described in the two sources listed under [[#Further reading|Further reading]]. Depending on the microphone model, this transformation can be performed in either hardware or software.
 
=== B-Format ===
The B-Format is the standard audio format produced by a soundfield kit. It consists of the following four signals:
* W - a pressure signal corresponding to the output from an omnidirectional microphone
* X - the front-to-back directional information, a forward-pointing velocity or "figure-of-eight" microphone
* Y - the side-to-side directional information, a leftward-pointing "figure-of-eight" microphone
* Z - the up-to-down directional information, an upward-pointing "figure-of-eight" microphone
 
These are the constant (W) and linear (X, Y, Z) terms in the [[multipole expansion]] of a function on the sphere – in effect, it approximates the [[wave field synthesis|wave field]] on a sphere around the microphone.
 
It is possible to recreate the three dimensional soundfield, however the soundfield microphone particularly shows its versatility in a stereo or mono application. For example, a forward-facing cardioid is produced by<math>\sqrt2 W + X</math>. By combining the signals in various proportions, it is possible to derive any number of first-order microphones, pointing in any direction, before and after recording. For instance, provided the W, X, Y and Z signals are recorded separately, it is possible to pinpoint the microphone to a certain response from the audience even after recording. Examples of software that perform these calculations are
[http://vvaudio.com/vvmic/ Visual Virtual Microphone], SoundField's [http://www.soundfield.com/products/s_zone.php Surround Zone] and Ambisonic Studio's [http://www.radio.uqam.ca/ambisonic/b2x.html B2X decoders] plug-ins.
 
In other words, the B-format recording can be decoded to model any number of microphones pointing in arbitrary directions: each microphone's pattern can be selected to be omnidirectional, cardioid, hypercardioid, figure-of-eight, or anything in between. This can be done live or in post-production (after the recording is made).
 
The playback configuration is equally flexible.  Again in post-production, the B-format recording can be decoded to any number of speakers arranged in both the horizontal and vertical planes.
 
Note however that this information only allows the direction of sound at the microphone to be reproduced – microphone responses pointing in any ''direction'' can be synthesized, but it does not allow the reconstruction of what a microphone at a different ''point in space'' would record. To do that requires reconstructing the wave field in more detail (as in [[wave field synthesis]]).
 
== References ==
 
{{Reflist}}
 
== Further reading ==
 
{{Refbegin}}
* {{cite conference
|author=Michael A. Gerzon
|title=The Design of Precisely Coincident Microphone Arrays for Stereo and Surround Sound
|booktitle=50th Convention of the Audio Engineering Society
|year=1975
|pages=Preprint L-20
|url=http://www.aes.org/e-lib/browse.cfm?elib=2466
}}
* {{cite paper
|author=Peter G. Craven and Michael A. Gerzon
|title= Coincident Microphone Simulation Covering Three Dimensional Space and Yielding Various Directional Outputs
|publisher={{Cite patent|US|4042779}}
|year=1975
}}
{{Refend}}
 
== External links ==
* [http://www.soundfield.com/ SoundField Limited], a soundfield mic manufacturer
* [http://www.core-sound.com/ Core Sound LLC], a soundfield mic manufacturer
* [http://www.oktavausa.com/ProductsPages/Ambient4DMic.html Oktava], a Russian mic manufacturer whose range includes a soundfield mic
 
{{Use dmy dates|date = September 2010}}
 
[[Category:Microphones]]
[[Category:Ambisonics]]

Revision as of 18:55, 28 December 2013

The Soundfield microphone is an audio microphone composed of four closely spaced subcardioid or cardioid (unidirectional) microphone capsules arranged in a tetrahedron. It was invented by Michael Gerzon and Peter Craven, and is a part of, but not exclusive to, Ambisonics, a surround sound technology. It can function as a mono, stereo or surround sound microphone, optionally including height information.

History

The soundfield mic was invented by Michael Gerzon and Peter Craven. Their theoretical design was developed into a practical microphone system by Calrec Audio Limited, who launched the first soundfield mic in 1978.[1]

In 1993, the soundfield mic part of Calrec was separated out as the company SoundField Limited, who further developed the range of products.[2] Since the original patents relating to the soundfield mic expired, other companies have started to manufacture soundfield mics.

Signals

A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called A-Format and B-Format.

A-Format

The A-Format is the signals from four microphones on the faces of a tetrahedron.

The first set, the A-Format, is produced by the Soundfield microphone itself and consists of the four signals from the microphone capsules. These four signals are not intended to be used without further processing. The A-Format is normally transformed into the second set of audio signals, the B-Format. This process is described in the two sources listed under Further reading. Depending on the microphone model, this transformation can be performed in either hardware or software.

B-Format

The B-Format is the standard audio format produced by a soundfield kit. It consists of the following four signals:

  • W - a pressure signal corresponding to the output from an omnidirectional microphone
  • X - the front-to-back directional information, a forward-pointing velocity or "figure-of-eight" microphone
  • Y - the side-to-side directional information, a leftward-pointing "figure-of-eight" microphone
  • Z - the up-to-down directional information, an upward-pointing "figure-of-eight" microphone

These are the constant (W) and linear (X, Y, Z) terms in the multipole expansion of a function on the sphere – in effect, it approximates the wave field on a sphere around the microphone.

It is possible to recreate the three dimensional soundfield, however the soundfield microphone particularly shows its versatility in a stereo or mono application. For example, a forward-facing cardioid is produced by. By combining the signals in various proportions, it is possible to derive any number of first-order microphones, pointing in any direction, before and after recording. For instance, provided the W, X, Y and Z signals are recorded separately, it is possible to pinpoint the microphone to a certain response from the audience even after recording. Examples of software that perform these calculations are Visual Virtual Microphone, SoundField's Surround Zone and Ambisonic Studio's B2X decoders plug-ins.

In other words, the B-format recording can be decoded to model any number of microphones pointing in arbitrary directions: each microphone's pattern can be selected to be omnidirectional, cardioid, hypercardioid, figure-of-eight, or anything in between. This can be done live or in post-production (after the recording is made).

The playback configuration is equally flexible. Again in post-production, the B-format recording can be decoded to any number of speakers arranged in both the horizontal and vertical planes.

Note however that this information only allows the direction of sound at the microphone to be reproduced – microphone responses pointing in any direction can be synthesized, but it does not allow the reconstruction of what a microphone at a different point in space would record. To do that requires reconstructing the wave field in more detail (as in wave field synthesis).

References

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Further reading

Template:Refbegin

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  • Template:Cite paper

Template:Refend

External links

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