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{{Infobox Painting
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| image_file=Leda_atomica.jpg
| backcolor=#FBF5DF
| painting_alignment=right
| image_size=300px
| title=Leda Atomica
| artist=[[Salvador Dalí]]
| year=1949
| type=[[Oil painting|Oil on canvas]]
| height_metric=61.1
| width_metric=45.3
| height_imperial=
| width_imperial =
| metric_unit=cm
| imperial_unit=in
| city= [[Figueres]]  
| museum= [[Dalí Theatre and Museum]]
}}
'''''Leda Atomica''''' is a painting by [[Salvador Dalí]], made in 1949. The picture depicts [[Leda (mythology)|Leda]], the mythological queen of [[Sparta]], with the [[swan]]. Leda is a frontal portrait of Dalí's wife, [[Gala Dalí|Gala]], who is seated on a pedestal with a swan suspended behind and to her left. Different objects such as a book, a set square, two stepping stools and an egg float around the main figure. In the background on both sides, the rocks of [[Cap Norfeu]] (on the [[Costa Brava]] in [[Catalonia]], between [[Roses, Girona|Roses]] and [[Cadaqués]]) define the location of the image.


The painting is exhibited in the [[Dalí Theatre and Museum]] in [[Figueres]] and Mirberry Mews, Nottingham curtesy of the Blackwell Art Foundation.
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==Mythological background==
 
Leda was admired by [[Zeus]], who raped her in the guise of a swan on her wedding night when she slept with her husband [[Tyndareus]]. This double consummation of her marriage resulted in two eggs, each of them hatching twins: from the first egg [[Castor and Pollux]], and from the second [[Clytemnestra]] and [[Helen of Troy|Helen]].
 
==Structure of the painting==
''Leda Atomica'' is organized according to a rigid mathematical framework, following the "[[golden ratio|divine proportion]]". Leda and the swan are set in a pentagon inside which has been inserted a five-point star of which Dalí made several sketches. The five points of the star symbolize the seeds of perfection: love, order, light (truth), willpower and word (action).  
The harmony of the framework was calculated by the artist following the recommendations of Romanian mathematician [[Matila Ghyka]]. Unlike his contemporaries who took the view that mathematics distracted from or interrupted artistic inspiration, Dalí considered that any work of art, to be such, had to be based on composition and calculation.<ref name="Maurell">Rosa M. Maurell - Mythological References in the work of Salvador Dalí: the myth of Leda. -Centre for Dalinian Studies - Hora Nova, May 30, 2000  [http://www.salvador-dali.org/serveis/ced/articles/en_article2.html]</ref> Ghyka's influence is clear in the mathematical formula of the [[golden ratio]] in the lower right of the image
 
:<math>\varphi = \frac{1 + \sqrt{5}}{2}</math>
 
which Ghyka specifically cites to calculate the side of a regular pentagon.<ref name="King">Elliott H. King  - Dalí Atomicus, or the Prodigious Adventure of the Lacemaker and the Rhinoceros - Society for Literature and Science Annual Meeting  October 10–13, 2002, Pasadena, California [http://sls-2002.caltech.edu/king_paper.html]</ref>
 
==Symbolism of the painting==
 
After the atomic bomb was dropped on [[Hiroshima]], Dalí took his work in a new direction based on the principle that the modern age had to be assimilated into art if art was to be truly contemporary. Dalí acknowledged the discontinuity of matter, incorporating a mysterious sense of levitation into his ''Leda Atomica''. Just as one finds that at the atomic level particles do not physically touch, so here Dalí suspends even the water above the shore—an element that would figure into many other later works.<ref name="King"/> Every object in the painting is carefully painted to be motionless in space, even though nothing in the painting is connected. Leda looks as if she is trying to touch the back of the swan’s head, but doesn’t do it.
 
Dalí himself described the painting in the following way:
 
<blockquote>
"''Dalí shows us the hierarchized libidinous emotion, suspended and as though hanging in midair, in accordance with the modern 'nothing touches' theory of intra-atomic physics. Leda does not touch the swan; Leda does not touch the pedestal; the pedestal does not touch the base; the base does not touch the sea; the sea does not touch the shore. . . .''"<ref>[http://www.time.com/time/magazine/article/0,9171,934162,00.html?iid=chix-sphere  And Now to Make Masterpieces - Time. December 8, 1947]</ref>
</blockquote>  
 
Her right hand suggests her urge for something that is yet unclear to even herself. It might be the symbolism of the process of her impregnation, and the love and mystery of the swan. The hatched egg could represent the fruit of the union of Leda with the swan, which resulted in the birth of twins. Dalí paints Gala's wedding ring, a picture of a mystic marriage. In his painting of ''Leda Atomica'' Dalí shows his thought of an [[oneiric]] seduction of Gala.{{clarify|date=April 2009|"his thought of an"? and state whose opinion is this paragraph}}
 
In reference to the classical myth Dalí identified himself with the immortal [[Castor and Pollux|Pollux]] while his deceased older brother (also called Salvador) would represent [[Castor and Pollux|Castor]], the mortal of the twins. Another equivalence could be made regarding the other twins of the myth, Dalí’s sister Ana María being the mortal Clytemnestra, while Gala would represent divine Helen.<ref name="Maurell"/>  Salvador Dalí himself wrote: "I started to paint Leda Atómica which exalts Gala, the metaphysical goddess and succeeded to create the ‘suspended space’".
 
Dalí’s Catholicism enables also other interpretations of the painting. The painting can be conceived as Dalí's way of interpreting the [[Annunciation]]. The swan seems to whisper her future in her ear, possibly a reference to the legend that the conception of [[Jesus]] was achieved by the introduction of the breath of the [[Holy Ghost]] into the Virgin Mary’s ear. Leda looks straight into the bird's eyes with an understanding expression of what is happening to her and what will happen in the future to her and to her unsure reality. Dalí's transformation of Mary is the result of love as if he created his love to Gala, like God to Mary.<ref name="Leda">[http://www.planetpapers.com/Assets/1368.php  Leda Atomica]</ref>
 
==Bibliography==
* Jean-Louis Ferrier  - Dalí, Leda atomica : anatomie d'un chef-d'oeuvre – Gonthier, Paris, 1980 - ISBN 978-2-282-30166-2
 
==References==
{{reflist}}
 
{{Salvador Dalí}}
 
[[Category:Paintings by Salvador Dalí]]
[[Category:1949 paintings]]
[[Category:Birds in art]]

Latest revision as of 13:40, 21 July 2014

If an existing Word - Press code is found vulnerable, Word - Press will immediately issue an update for that. If you have any kind of inquiries concerning where and just how to make use of wordpress backup plugin, you can call us at the web site. Also, you may want to opt for a more professioanl theme if you are planning on showing your site off to a high volume of potential customers each day. Your parishioners and certainly interested audience can come in to you for further information from the group and sometimes even approaching happenings and systems with the church. In the recent years, there has been a notable rise in the number of companies hiring Indian Word - Press developers. You can easily customize the titles of the posts in Word - Press blog in a way that only title comes in the new post link and not the date or category of posts.

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