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{{Infobox scientist
| name              = Wallace Clement Sabine
| image            = Sabine.png
| image_size        =
| alt              =
| caption          =
| birth_date        = {{birth date|1868|06|13}}
| birth_place      =
| death_date        = {{death date and age|1919|01|19|1868|06|13}}
| death_place      =
| residence        =
| citizenship      =
| nationality      = American
| fields            = [[Acoustics]]
| workplaces        =
| alma_mater        = [[Harvard University]]
| doctoral_advisor  = [[John Trowbridge (physicist)|John Trowbridge]]<!--(b. 1843; d. 1923)-->
| academic_advisors =
| doctoral_students = [[Percy Bridgman]]
| notable_students  =
| known_for        =
| author_abbrev_bot =
| author_abbrev_zoo =
| influences        =
| influenced        =
| awards            =
| signature        = <!--(filename only)-->
| signature_alt    =
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| spouse            =
}}


'''Wallace Clement Sabine''' (June 13, 1868 – January 10, 1919) was an [[United States|American]] [[physicist]] who founded the field of [[architectural acoustics]]. He graduated from [[Ohio State University]] in 1886 at the age of 18 before joining [[Harvard University]] for graduate study and remaining as a faculty member. Sabine was acoustical architect of [[Symphony Hall, Boston|Boston's Symphony Hall]], widely considered one of the two or three best [[concert hall]]s in the world for its acoustics.<ref>{{Cite document|url=http://pdfhost.focus.nps.gov/docs/NHLS/Text/99000633.pdf|title=National Historic Landmark Nomination: Symphony Hall|date=June 26, 1998 |format=PDF |author=Gerrit Petersen, Steven Ledbetter, and Kimberly Alexander Shilland |publisher=National Park Service |accessdate=2009-06-26}} </ref>


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== Career ==
Sabine's career is the story of the birth of the field of modern [[architectural acoustics]]. In 1895, acoustically improving the Fogg Lecture Hall, part of the recently constructed [[Fogg Art Museum]], was considered an impossible task by the senior staff of the [[physics]] department at Harvard. The assignment was passed down until it landed on the shoulders of a young [[physics]] professor, Sabine. Although considered a popular lecturer by the students, Sabine had never received his [[Ph.D.]] and did not have any particular background dealing with sound.
 
Sabine tackled the problem by trying to determine what made the Fogg Lecture Hall different from other, acoustically acceptable facilities. In particular, the [[Sanders Theater]] was considered acoustically excellent. For the next several years, Sabine and a group of assistants spent each night moving materials between the two lecture halls and testing the acoustics. On some nights they would borrow hundreds of seat cushions from the Sanders Theater. Using an organ pipe and a stopwatch, Sabine performed thousands of careful measurements (though inaccurate by present standards) of the time required for different frequencies of sounds to decay to inaudibility in the presence of the different materials. He tested reverberation time with several different types of Oriental rugs inside Fogg Lecture Hall, and with various numbers of people occupying its seats, and found that the body of an average person decreased reverberation time by about as much as six seat cushions. Once the measurements were taken and before morning arrived, everything was quickly replaced in both lecture halls, in order to be ready for classes the next day.
 
Sabine was able to determine, through the experiments, that a definitive relationship exists between the quality of the acoustics, the size of the chamber, and the amount of absorption surface present. He formally defined the [[reverberation]] time, which is still the most important characteristic currently in use for gauging the acoustical quality of a room, as number of seconds required for the intensity of the sound to drop from the starting level, by an amount of 60 dB ([[decibels]]).
 
His formula,<ref>http://www.acoustics-engineering.com/sabin/wcsabine.htm</ref> if all units are SI, is
:<math>
T=\frac{V}{A} \cdot 0.161\,\mathrm{s}
</math>
<!-- reverberation time is in seconds -->
 
where
:T = the reverberation time
:V = the room volume
:A = the total absorption area
 
By studying various rooms judged acoustically optimal for their intended uses, Sabine determined that acoustically appropriate concert halls had reverberation times of 2-2.25 seconds (with shorter reverberation times, a music hall seems too "dry" to the listener), while optimal lecture hall acoustics featured reverberation times of slightly under 1 second. Regarding the Fogg Museum lecture room, Sabine noted that a spoken word remained audible for about 5.5 seconds, or about an additional 12-15 words if the speaker continued talking. Listeners thus contended with a very high degree of resonance and echo.
 
Using what he discovered, Sabine deployed sound absorbing materials throughout the Fogg Lecture Hall to cut its reverberation time and reduce the "echo effect." This accomplishment cemented Wallace Sabine's career, and led to his hiring as the acoustical consultant for Boston's [[Symphony Hall, Boston|Symphony Hall]], the first [[concert hall]] to be designed using quantitative acoustics. His acoustic design was successful and Symphony Hall is generally considered one of the best symphony halls in the world.{{Citation needed|date=July 2011}}
 
The unit of sound absorption, the [[sabin (unit of measurement)|sabin]], was named in his honor.
 
==See also==
*[[Acoustics]]
 
== References ==
{{reflist}}
*[http://people.brandeis.edu/~sekuler/SensoryProcessesMaterial/reverberation.pdf Reverberation and the Art of Architectural Acoustics]
*Emily Thompson, ''[http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10318 The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900 - 1933]'' (Cambridge, Mass.: MIT Press, 2002).
*F. Alton  Everest, Master Handbook of Acoustics, Fourth Edition, 2001
*Wallace Clement Sabine, ''[http://vlp.mpiwg-berlin.mpg.de/references?id=lit39364 Collected Papers on Acoustics]'' (New York: Dover Publications, 1964) [first published by Harvard University Press, 1922]
* January 10, 1919: Death of Wallace Sabine, pioneer of architectural acoustics, [http://www.aps.org/publications/apsnews/201101/physicshistory.cfm American Physical Society News 20, January (2011)].
 
== External links ==
*[http://www.fas.harvard.edu/~memhall/sanders.html Sanders Theatre]
*{{MathGenealogy|id=35094}}
 
{{s-start}}
{{s-aca}}
{{succession box
| before=[[Benjamin Osgood Peirce]]
| title=[[Hollis Chair of Mathematics and Natural Philosophy]]
| years=1914-1919
| after=[[Theodore Lyman]]
}}
{{s-end}}
 
{{Hollisian Professors of Mathematics}}
 
{{Authority control|VIAF=72264996}}
 
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME              = Sabine, Wallace Clement
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = American physicist
| DATE OF BIRTH    = June 13, 1868
| PLACE OF BIRTH    =
| DATE OF DEATH    = January 10, 1919
| PLACE OF DEATH    =
}}
{{DEFAULTSORT:Sabine, Wallace Clement}}
[[Category:1868 births]]
[[Category:1919 deaths]]
[[Category:Ohio State University alumni]]
[[Category:Harvard University alumni]]
[[Category:American physicists]]
[[Category:Hollis Chair of Mathematics and Natural Philosophy]]

Revision as of 17:11, 19 June 2013

Template:Infobox scientist

Wallace Clement Sabine (June 13, 1868 – January 10, 1919) was an American physicist who founded the field of architectural acoustics. He graduated from Ohio State University in 1886 at the age of 18 before joining Harvard University for graduate study and remaining as a faculty member. Sabine was acoustical architect of Boston's Symphony Hall, widely considered one of the two or three best concert halls in the world for its acoustics.[1]

Career

Sabine's career is the story of the birth of the field of modern architectural acoustics. In 1895, acoustically improving the Fogg Lecture Hall, part of the recently constructed Fogg Art Museum, was considered an impossible task by the senior staff of the physics department at Harvard. The assignment was passed down until it landed on the shoulders of a young physics professor, Sabine. Although considered a popular lecturer by the students, Sabine had never received his Ph.D. and did not have any particular background dealing with sound.

Sabine tackled the problem by trying to determine what made the Fogg Lecture Hall different from other, acoustically acceptable facilities. In particular, the Sanders Theater was considered acoustically excellent. For the next several years, Sabine and a group of assistants spent each night moving materials between the two lecture halls and testing the acoustics. On some nights they would borrow hundreds of seat cushions from the Sanders Theater. Using an organ pipe and a stopwatch, Sabine performed thousands of careful measurements (though inaccurate by present standards) of the time required for different frequencies of sounds to decay to inaudibility in the presence of the different materials. He tested reverberation time with several different types of Oriental rugs inside Fogg Lecture Hall, and with various numbers of people occupying its seats, and found that the body of an average person decreased reverberation time by about as much as six seat cushions. Once the measurements were taken and before morning arrived, everything was quickly replaced in both lecture halls, in order to be ready for classes the next day.

Sabine was able to determine, through the experiments, that a definitive relationship exists between the quality of the acoustics, the size of the chamber, and the amount of absorption surface present. He formally defined the reverberation time, which is still the most important characteristic currently in use for gauging the acoustical quality of a room, as number of seconds required for the intensity of the sound to drop from the starting level, by an amount of 60 dB (decibels).

His formula,[2] if all units are SI, is

T=VA0.161s

where

T = the reverberation time
V = the room volume
A = the total absorption area

By studying various rooms judged acoustically optimal for their intended uses, Sabine determined that acoustically appropriate concert halls had reverberation times of 2-2.25 seconds (with shorter reverberation times, a music hall seems too "dry" to the listener), while optimal lecture hall acoustics featured reverberation times of slightly under 1 second. Regarding the Fogg Museum lecture room, Sabine noted that a spoken word remained audible for about 5.5 seconds, or about an additional 12-15 words if the speaker continued talking. Listeners thus contended with a very high degree of resonance and echo.

Using what he discovered, Sabine deployed sound absorbing materials throughout the Fogg Lecture Hall to cut its reverberation time and reduce the "echo effect." This accomplishment cemented Wallace Sabine's career, and led to his hiring as the acoustical consultant for Boston's Symphony Hall, the first concert hall to be designed using quantitative acoustics. His acoustic design was successful and Symphony Hall is generally considered one of the best symphony halls in the world.Potter or Ceramic Artist Truman Bedell from Rexton, has interests which include ceramics, best property developers in singapore developers in singapore and scrabble. Was especially enthused after visiting Alejandro de Humboldt National Park.

The unit of sound absorption, the sabin, was named in his honor.

See also

References

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Template:S-start Template:S-aca Template:Succession box Template:S-end

Template:Hollisian Professors of Mathematics

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