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i in C harmonic or ascending melodic minor.[2]
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The jazz minor scale is the ascending melodic minor scale used both ascending and descending. It may be produced from the major scale by flattening the third scale degree,[1] making it a synthetic scale, and features a dominant seventh on the fifth degree (V) like the harmonic minor scale.[3] Starting on A, 1 2 Template:Music3 4 5 6 7 8:
A B C D E FTemplate:Music GTemplate:Music A
The scale may be considered to originate in the use of extensions beginning with the seventh in jazz and thus the necessity to, "chromatically raise the diatonic 7th to create a stable, tonic sound," rather than use a minor seventh chord, associated with ii, for tonic.[4]
The jazz minor scale contains all of the altered notes of the dominant seventh chord whose root is a semitone below the scale's tonic. "In other words to find the correct jazz minor scale for any dominant 7th chord simply use the scale whose tonic note is a half step higher than the root of the chord."[1] For example, the G7 chord and ATemplate:Music jazz minor scale: the ATemplate:Music scale contains the root, third, seventh, and the four most common alterations of G7. This scale may be used to resolve to C in the progression G7-C (over G7, which need not be notated G7Template:Music5Template:Music5Template:Music9Template:Music9).[1]
It is used over a minor major seventh chord.[5] See: chord-scale system. The scale also easily allows diatonic chord progressions, for example:[5] |: C-Δ7 / [[minor seventh flat five chord|A-7Template:Music5]] | D-7 / [[thirteenth chord|G7Template:Music13]] :|
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Its modes also include [[Lydian augmented scale|Lydian Template:Music5]], [[Lydian dominant scale|Lydian Template:Music7]], [[Half diminished scale|Locrian Template:Music2]], and the altered scale.
See also
Sources
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- ↑ 1.0 1.1 1.2 1.3 1.4 Berle, Arnie (1983). How to Create and Develop a Jazz Sax Solo, p.78. ISBN 978-1-56222-088-4.
- ↑ Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.230. Seventh Edition. ISBN 978-0-07-294262-0.
- ↑ Overthrow, David and Ferguson, Tim (2007). The Total Jazz Bassist, p.41. ISBN 978-0-7390-4311-0.
- ↑ Berg, Shelly (2005). Alfred's Essentials of Jazz Theory, Book 3, p.90. ISBN 978-0-7390-3089-9.
- ↑ 5.0 5.1 Arnold, Bruce E. (2001). Music Theory Workbook for Guitar: Scale Construction, p.12. ISBN 978-1-890944-53-7.